Tag: Cultural Heritage

  • UNESCO Adds Greek ‘Momoeria’ Custom to Cultural Heritage List

    UNESCO Adds Greek ‘Momoeria’ Custom to Cultural Heritage List

    ΠολιτισμόςEvery year from December 25 to January 5 the village streets of Kozani, Greece light up with more than just christmas lights – they come alive with the ancient customs of the Momoeria -actors, musicians and dancers filling the village streets and visiting people’s homes in celebration of the new year.

    Recently UNESCO has announced that is has inscribed the ancient custom of the Momoeria on its Representative List of the Intangible Cultural Heritage of Humanity, making sure that this beautiful cultural tradition will be preserved for future generations to come.

    What is the Momoeria?

    The dancers in the group are made up of 30 male performers and they represent the priests of Momos, or the god of laughter and satire, as well as representing commanders of Alexander the Great, dressed to the finest detail in traditional shoes, pleated skirts and helmets.

    The actors surround the traveling group of dancers while acting out well-known satirical plays while the musicians play along in the background.

    The practice of Momoeria is to bless the village for the upcoming new year with prosperity, healthy offspring and a good harvest.

    Something notable about this accomplishment of landing on the Representative List of the Intangible Cultural Heritage of Humanity is that this is the fourth Greek tradition to be branded a sacred cultural heritage. Previously additions on the list include the Mediterranean Diet, the traditional harvesting and produce of mastic on the island of Chios and the marble expertise of Tinos island.

    (greece.greekreporter.com)

  • Pakistan unearths the city defeated by Alexander the Great

    Pakistan unearths the city defeated by Alexander the Great

    ΑρχαιολογίαPakistan has unearthed the city defeated by Alexander the Great.

    The ruins that Italian archaeologists have unearthed in modern-day Barikot, in Pakistan’s Swat Valley, once belonged to Bazira, the city conquered by Alexander the Great.

    In short, Italian archaeologists working in the Italian-Pakistani excavations in the Swat valley did not go on vacation this summer.

    Bazira is mentioned in classical sources as having been put under siege and conquered by the Macedonians led by Alexander the Great towards the end of the 4th Century BC. Up to now there had been no trace of this ancient city. Archaeologists had dated the city at the Indo-Greek period of King Menander, the Greek King of Buddhist faith who ruled almost two centuries after Alexander and whose coins were found in the excavation site.

    The Italian Archaeological Mission (renamed ISMEO), founded by Giuseppe Tucci in the Swat District in 1955, has been excavating in Barikot since 1984. Since 2011 the excavations at Barikot, the ancient Bazira (12 hectares including the acropolis) have concentrated on approximately one hectare in the south-western quadrant of the city.

    During the last few weeks, an analysis of the materials conducted with the help of the CIRCE team headed by Prof Filippo Terrasi (Napoli2 University, Department of Mathematics and Physics) revealed that the pre Indo-Greek city levels can be dated with absolute certainty at the middle of the 3rd Century BC, one century prior to the city walls, which means in the middle of the Mauryan period. And that’s not all: the protohistoric village unveiled by the trench foundations outside the city walls dates back to 1100-1000 BC.

    “Today it is clear that the Indo-Greeks fortified a city that already existed and that, in order to build the city walls, they destroyed most of the stratigraphy and exposed extremely ancient structures through extended and deep terracing work. We used to think that the city lays on nothing more than a late protohistoric settlement. Today we know that it was already a city and that the ruins at the foot of the walls are 800 years older than we had originally thought,” said the Mission Director, Luca M. Olivieri. This means that the city reveals an amazing sequence of occupation.

    (www.pakistantoday.com.pk)

  • 4,200-Year-Old Egyptian Temple Discovered to Have Remarkably Well Preserved Artwork

    4,200-Year-Old Egyptian Temple Discovered to Have Remarkably Well Preserved Artwork

    ΑρχαιολογίαScattered throughout modern Egypt are many ancient temples which are famous for their splendor and historical significance. The perfect example of one of these breathtaking displays of luxury is the Temple of Hathor. Built around 2250 BC, the artwork that runs throughout the building is remarkably well kept, despite being thousands and thousands of years old. As the main temple within the significant Dendera Temple complex, it is known for being one of the best-preserved sites in all of Egypt.

    Facing the Nile, the sanctuary layout is classical Egyptian, containing stunning examples of Ptolemaic Egyptian artwork including depictions of Cleopatra and her son, fathered by Julius Caesar. The temple itself was built to worship the Ancient Egyptian goddess Hathor, who personified feminine love, healing, and motherhood. Imposing columns have been carved to bear the face of the goddess, complete with the cow horns she is typically shown to bear.

    Though the entire temple is magnificent, it is the ceiling that remains the true masterpiece. Recently, workers carefully removed hundreds of years of black soot which accumulated as a centuries-old Arab village established camp within the temple. Through the restoration, a spectacular and vibrant painting overhead was slowly revealed. Decorated with a complex astrological chart of the heavens and zodiac signs, the ancient temple ceiling now offers a highly detailed setting to study or just a lovely scene to visit and be swept away by the antiquated opulence.

    (www.mymodernmet.com)

  • The world’s oldest computer is still revealing its secrets

    The world’s oldest computer is still revealing its secrets

    ΠολιτισμόςItem 15087 wasn’t much to look at, particularly compared to other wonders uncovered from the shipwreck at Antikythera, Greece, in 1901. The underwater excavation revealed gorgeous bronze sculptures, ropes of decadent jewelry and a treasure trove of antique coins.

    Amid all that splendor, who could have guessed that a shoebox-size mangled bronze machine, its inscriptions barely legible, its gears calcified and corroded, would be the discovery that could captivate scientists for more than a century?

    “In this very small volume of messed-up corroded metal you have packed in there enough knowledge to fill several books telling us about ancient technology, ancient science and the way these interacted with the broader culture of the time,” said Alexander Jones, a historian of ancient science at New York University’s Institute for the Study of the Ancient World. “It would be hard to dispute that this is the single most information-rich object that has been uncovered by archaeologists from ancient times.”

    Jones is part of an international team of archaeologists, astronomers and historians who have labored for the past 10 years to decipher the mechanism’s many mysteries. The results of their research, including the text of a long explanatory “label” revealed through X-ray analysis, were just published in a special issue of the journal Almagest, which examines the history and philosophy of science.

    The findings substantially improve our understanding of the instrument’s origins and purpose, Jones said, offering hints at where and by whom the mechanism was made, and how it might have been used. It looks increasingly like a “philosopher’s guide to the galaxy,” as the Associated Press put it — functioning as a teaching tool, a status symbol and an elaborate celebration of the wonders of ancient science and technology.

    In its prime, about 2,100 years ago, the Antikythera (an-ti-KEE-thur-a) Mechanism was a complex, whirling, clockwork instrument comprising at least 30 bronze gears bearing thousands of interlocking tiny teeth. Powered by a single hand crank, the machine modeled the passage of time and the movements of celestial bodies with astonishing precision. It had dials that counted the days according to at least three different calendars, and another that could be used to calculate the timing of the Olympics. Pointers representing the stars and planets revolved around its front face, indicating their position in relation to Earth. A tiny, painted model of the moon rotated on a spindly axis, flashing black and white to mimic the real moon’s waxing and waning.

    The sum of all these moving parts was far and away the most sophisticated piece of machinery found from ancient Greece. Nothing like it would appear again until the 14th century, when the earliest geared clocks began to be built in Europe. For the first half century after its discovery, researchers believed that the Antikythera Mechanism had to be something simpler than it seemed, like an astrolabe. How could the Greeks have developed the technology needed to create something so precise, so perfect — only to have it vanish for 1,400 years?

    But then Derek de Solla Price, a polymath physicist and science historian at Yale University, traveled to the National Archaeological Museum in Athens to take a look at the enigmatic piece of machinery. In a 1959 paper in Scientific American, he posited that the Antikythera Mechanism was actually the world’s first known “computer,” capable of calculating astronomical events and illustrating the workings of the universe. Over the next two and a half decades, he described in meticulous detail how the mechanism’s diverse functions could be elucidated from the relationships among its intricately interlocked gears.

    “Nothing like this instrument is preserved elsewhere. Nothing comparable to it is known from any ancient scientific text or literary allusion,” he wrote.

    That wasn’t completely accurate — Cicero wrote of a instrument made by the first century BCE scholar Posidonius of Rhodes that “at each revolution reproduces the same motions of the Sun, the Moon and the five planets that take place in the heavens every day and night.” But it was true that the existence of the Antikythera Mechanism challenged all of scientists’ assumptions about what the ancient Greeks were capable of.

    “It is a bit frightening to know that just before the fall of their great civilization the ancient Greeks had come so close to our age, not only in their thought, but also in their scientific technology,” Price said.

    Still, the degree of damage to the ancient plates and gears meant that many key questions about the the instrument couldn’t be answered with the technology of Price’s day. Many of the internal workings were clogged or corroded, and the inscriptions were faded or covered up by plates that had been crushed together.

    Enter X-ray scanning and imaging technology, which have finally become powerful enough to allow researchers to peer beneath the machine’s calcified surfaces. A decade ago, a diverse group of scientists teamed up to form the Antikythera Mechanism Research Project (AMRP), which would take advantage of that new capability. Their initial results, which illuminated some of the complex inner workings of the machine, were exciting enough to persuade Jones to jump on board.

    Fluent in Ancient Greek, he was able to translate the hundreds of new characters revealed in the advanced imaging process.

    “Before, we had scraps of the text that was hiding inside these fragments, but there was still a lot of noise,” he said. By combining X-ray images with the impressions left on material that had stuck to the original bronze, “it was like a double jigsaw puzzle that we were able to use for a much clearer reading.”

    The main discovery was a more than 3,500-word explanatory text on the main plate of the instrument. It’s not quite an instruction manual — speaking to reporters, Jones’s colleague Mike Edmunds compared it to the long label beside an item in a museum display, according to the AP.

    “It’s not telling you how to use it. It says, ‘What you see is such and such,’ rather than, ‘Turn this knob and it shows you something,’ ” he explained.

    Other newly translated excerpts included descriptions of a calendar unique to the northern Greek city of Corinth and tiny orbs — now believed lost to the sandy sea bottom — that once moved across the instrument’s face in perfect simulation of the true motion of the five known planets, as well as a mark on the dial that gave the dates of various athletic events, including a relatively minor competition that was held in the city of Rhodes.

    That indicates that the mechanism may have been built in Rhodes — a theory boosted by the fact that much of the pottery uncovered by the shipwreck was characteristic of that city. The craftsmanship of the instrument, and the two distinct sets of handwriting evident in the inscriptions, makes Jones believe that it was a team effort from a small workshop that may have produced similar items. True, no other Antikythera Mechanisms have been found, but that doesn’t mean they never existed. Plenty of ancient bronze artifacts were melted down for scrap (indeed, the mechanism itself may have included material from other objects).

    It’s likely that this particular mechanism and the associated Antikythera treasures were en route to a Roman port, where they’d be sold to wealthy nobles who collected rare antiques and intellectual curiosities to adorn their homes.

    The elegant complexity of the mechanism – and the use its makers designed it for – are emblematic of the values of the ancient world: For example, a dial that predicts the occurrence of eclipses to the precision of a day also purports to forecast what the color of the moon and weather in the region will be that day. To modern scientists, the three phenomena are entirely distinct from one another — eclipses depend on the predictable movements of the sun, moon and planets, the color of the moon on the scattering of light in Earth’s atmosphere, and the weather on difficult-to-track local conditions. Astronomers may be able to forecast an eclipse years in advance, but there’s no scientific way to know the weather that far out (just ask our friends at the Capital Weather Gang).

    But to an ancient Greek, the three concerns were inextricably linked. It was believed that an eclipse could portend a famine, an uprising, a nation’s fate in war.

    “Things like eclipses were regarded as having ominous significance,” Jones said. It would have made perfect sense to tie together “these things that are purely astronomical with things that are more cultural, like the Olympic games, and calendars, which is astronomy in service of religion and society, with astrology, which is pure religion.”

    That may go some way toward explaining the strange realization Price made more than 50 years ago: The ancient Greeks came dazzlingly close to inventing clockwork centuries sooner than really happened. That they chose to utilize the technology not to mark the minutes, but to plot out their place in the universe, shows just how deeply they regarded the significance of celestial events in their lives.

    In a single instrument, Jones said, “they were trying to gather a whole range of things that were part of the Greek experience of the cosmos.”

    (www.washingtonpost.com)

  • Great philosopher Aristotle’s tomb found

    Great philosopher Aristotle’s tomb found

    ΓενικάGreek archaeologists announced they have discovered the tomb of ancient Greek philosopher, and one the greatest in the world, Aristotle. After years of meticulous excavations at the ancient site of Stagira, located in central Macedonia, near the eastern coast of the Chalkidiki peninsula, archaeologists said that the domed building and altar unearthed in 1996 belong to the great philosopher.

    The discovery of the tomb of Aristotle was announced by archaeologist Kostas Sismanidis, according to whom the findings from the excavation of 1996 in the region point to the conclusion that the tomb belongs to Aristotle.

    ‘I have no hard proof, but strong indications lead me to almost certainty’, said archaeologist Kostas Sismanidis. He claimed all the indications, from the location of the tomb, the period it was erected, its public character are conclusive that the edifice is indeed Aristotle’s tomb.

    (en.protothema.gr)

  • Greece looks to international justice to regain Parthenon marbles from UK

    Greece looks to international justice to regain Parthenon marbles from UK

    ΠολιτισμόςGreece has not abandoned the idea of resorting to international justice to repatriate the Parthenon marbles and is investigating new ways in which it might bring a claim against the British Museum.

    As campaigners prepare to mark the 200th anniversary of the antiquities’ “captivity” in London, Athens is working at forging alliances that would further empower its longstanding battle to retrieve the sculptures.

    “We are trying to develop alliances which we hope would eventually lead to an international body like the United Nations to come with us against the British Museum,” the country’s culture minister, Aristides Baltas, revealed in an interview.

    “If the UN represents all nations of the world and all nations of the world say ‘the marbles should be returned’ then we’ll go to court because the British Museum would be against humanity,” he said. “We do not regard the Parthenon as exclusively Greek but rather as a heritage of humanity.” 

    But the politician admitted there was always the risk of courts issuing a negative verdict that would wreck Athens’ chances of having the artworks reunited with the magnificent monument they once adorned. 

    “Courts do not by definition regard [any] issue at the level of history or morality or humanity-at-large. They look at the laws,” said Baltas, an academic and philosopher who played a pivotal role in founding Syriza, Greece’s governing leftist party. “As there are no hard and fast rules regarding the issue of returning treasures taken away from various countries, there is no indisputable legal basis.”

    The move came to light as the world’s longest-running cultural row looks poised to intensify. Almost 200 years have elapsed since the British parliament voted on 7 June 1816 to purchase the collection from Lord Elgin, the Scotsman who as ambassador to the Ottoman Empire ordered the frieze to be torn from the Parthenon and shipped to England. Activists are counting down to what they call the “black anniversary”.

    In London, only metres away from the British Museum, a huge billboard funded by campaigners in Australia this weekend showed six strategically placed words across a statue of classic nudity – and above a list of the vital contributions Greece has made to modern democratic life. The words read: “Please give us back our marbles.”

    “There is no point any longer in taking the gentle approach because that has failed,” said Alexis Mantheakis, chairman of the New Zealand-based International Parthenon Sculptures Action Committee. “The British have never given anything back, be it colonies or artefacts, without pressure. To ignore that fact is to undermine the chances of any success in the campaign for the return of the Parthenon sculptures.” 

    Seen as the high point of classical art – a peerless example of beauty in carving – the antiquities were acquired for £35,000 on condition they be exhibited in the British Museum. Mortified, steeped in debt and determined to dispel rumours that he had exploited his post as emissary to plunder the Acropolis, Elgin reluctantly accepted. It had, all expenses considered, cost him nearly twice that he claimed. 

    But in a 141-page document of legal advice – the details of which have been leaked exclusively to the Guardian – QCs specialised in cultural restitution say Elgin clearly exceeded the authority, or firman, he was given when he ordered the treasures to be “stripped” from the monument. The lawyers, including the human rights expert Amal Clooney, insist that Greece could mount a strong case to win the marbles back.

    “We consider that international law has evolved to a position which recognises, as part of the sovereignty of a state, its right to reclaim cultural property of great historical significance which has been wrongly taken in the past – a rule that would entitle Greece to recover and reunite the Parthenon sculptures.”

    The advice – provided at the request of the country’s former centre-right coalition but previously only made public in summation – amounts to a toolbox of how Athens could pursue its claim to the classical masterpieces. Greece could either bring the UK before the European court of human rights, or the UN cultural body Unesco could apply for an advisory judgment by the international court of justice. Court action could prompt Britain, which has repulsed every entreaty to date, to agree to arbitration or mediation.

    “The legal case is strongly arguable, both under international customary law and provisions of the European convention. [Greece] would stand a reasonable prospect of success.”

    But the lawyers also counsel that Athens should move fast in pursuing litigation. Mired in its longest recession in modern times, many fear the cash-strapped country would not have the means to take such action. 

    The advice, which took almost a year to draft, was reputedly financed by a Greek shipowner sympathetic to the cause.

    “Unless the claim is brought fairly soon, Greece may be met with the argument that it has ‘slept on its rights’ too long for them to be enforced,” the lawyers argue, adding that even if initial litigation failed it would not be the end of the fight.

    “If Greece does fail, it will very likely be on technical ‘admissibility’ grounds, which will have nothing to do with the merits of its claim. A case lost on a legal technicality can often be fought again.”

    (www.theguardian.com)

  • Workers find remnants from Byzantine church in Gaza

    Workers find remnants from Byzantine church in Gaza

    ΓενικάThe findings include segments of marble pillars with ornate Corinthian capitals and a foundation stone bearing a Greek symbol for Christ.

    During the works to build a shopping center in Gaza, Palestine, a group of construction workers discovered ancient ruins that archaeologists believe they are parts of a Byzantine church sating from around 1,500 years ago, the Palestinian tourism and antiquities ministry said on April 4.

    The findings include segments of marble pillars with ornate Corinthian capitals, one nearly three meters long, and a 90 cm foundation stone bearing a Greek symbol for Christ. Fifteen pieces have been uncovered, with excavations continuing, as Hurriyet Daily News reports.

    “Our first thought is that the site is a cathedral or a church from the Byzantine period,” said Jamal Abu Rida, the general director of the antiquities ministry.

    “During that era, there was a great interest among the Byzantine rulers to build churches in the Gaza Strip.”

    Gaza was a prosperous seaport during the Roman period, with a diverse population of Greeks, Romans, Jews, Egyptians and Persians. Pagan temples were destroyed in the late 4th and early 5th centuries and there was widespread church-building.

    (en.protothema.gr)

  • Photographers capture loss of Alexandria’s historic architecture over last 20 years

    Photographers capture loss of Alexandria’s historic architecture over last 20 years

    ΓενικάPhotographers Mostafa Mamdouh and Abdallah Hanafy took to Alexandria’s decades-old streets with their cameras in a quest to display how time has taken its toll on the city’s historic landmarks over the last two decades.
    The photos document the replacement of beautifully-crafted buildings with modern, dreary towers between 1996 and 2016.
    Mamdouh and Hanafy collected old photos of areas of Alexandria and researched their dates, then took photographs of the same place as it is now, holding up the photographs of what used to be there in front of what is there today.
    The essential aim of the project was to document the heritage sites in Alexandria; some of which did not survive the architectural purge that came with the modernization of the city, Mamdouh told Al-Masry Al-Youm.
    “This is one of a series of projects we carried out to monitor the stark difference between 1996 and 2016 in nine areas of the city,” he said, adding that the changes in the city during the last 20 years have been for the worse in many places, while others still cling on to their architectural beauty.
  • Alexandria’s ancient sites face extinction due to stalled renovation

    Alexandria’s ancient sites face extinction due to stalled renovation

    ΓενικάArchaeological sites in Alexandria are facing ruin, with renovation projects by the Antiquities Ministry covering 13 ancient Islamic, Coptic and Jewish monuments stalled due to a shortfall in funding that stretches back many years.

    Eighty percent of the province’s sites, meanwhile, have not been touched by conservators for tens of years.

    Archaeologists have told Al-Masry Al-Youm that the whole history of Alexandria is threatened with extinction,  especially since the only UNESCO-registered ancient Coptic site, the Abu Mina archaeological zone, may be removed from the organization’s world heritage record due to high levels of underground water at the 600-feddan site.

    Among those concerned is Antiquities Ministry official Mohamed Ali Saeed, the former director of Alexandria’s antiquities. He told Al-Masry Al-Youm that many ancient Islamic sites are near collapse, either due to a lack of renovation work or work being interrupted.

    Enumerating the endangered structures, Saeed listed the Shorbagy Mosque, the Terbana Mosque, the Haqqania courthouse, the Ptolemaic Wall, the old towers, the cisterns of Ibn al-Nabih, Ibn Battouta Ismail and Ingy Hanem, as well as the entire Abu Mina Coptic site. He said that while renovations at some sites have been halted for at least six years, others have not seen conservators for more than 20 years.

    Saeed urged “immediate intervention” by the ministry to save the historic sites, warning that weather conditions, most notably seasonal winter storms, represent a serious threat to them.

    In his warning, Saeed gave special attention to the Abu Mina area, which, he explained, is Egypt’s only Coptic site listed by UNESCO. He said groundwater levels at Abu Mina have reached 5.5 meters, submerging the ancient tomb of Saint Mar Mina.

    Ahmed Abdel Fattah, another expert and a member of the ministry’s permanent antiquities panel, warned of rising groundwater levels at the ancient Ptolemaic and Greek tombs of Mostafa Kamel, Shatbi and Anfoushi, where walls and floors are being gradually eroded. He said the structures should be prioritized for renovation, especially due to their exposure to high humidity levels resulting from proximity to the sea.

    Abdel Fattah pointed to the endangered ancient Ptolemaic cemeteries of Alabaster and Wardian near the seaport, which he identified as two of the most historical sites in the Alexandria area. The Ptolemaic cemeteries of Souq al-Gomaa, are also suffering “severe deterioration” according to Abdel Fattah.

    “They fall between the tramway and low-income housing, surrounded by piles of garbage on all sides,” he noted.

    Speaking from Abu Mina, the region’s antiquities official, Father Tedaous Avamina, said that in 2005 the Antiquities Ministry embarked on a LE50 million scheme, sponsored by UNESCO and the government, to reduce groundwater levels at the site. He explained that, though the project was completed in 2010, political upheaval and economic hardship meant there was not enough money for periodic maintenance of the water drainage equipment.

    Political instability was also responsible for stalled renovations at other sites. An official source at the ministry’s engineering administration said nearly LE57 million had been earmarked for renovations at the Terbana and Shorbagi mosques since 2009. The official said that, while the first phase of renovations was concluded before the 2011 uprising, later phases were halted due to political upheaval.

    According to the official, four other schemes are planned for the same sites, including the renovation of the ancient cemeteries and draining groundwater there. However, work cannot begin until the money has been found.

    Edited translation from Al-Masry Al-Youm

    (www.egyptindependent.com)

  • Gianaclis Palace in Al-Beheira becomes a Nile Delta archaeological site

    Gianaclis Palace in Al-Beheira becomes a Nile Delta archaeological site

    ΙστορίαEgypt’s Ministry of Antiquities has started the documentation process for adding Gianaclis Palace in Abou Al-Matamir city in the costal governorate of Al-Beheira to the country’s Heritage List for Islamic and Coptic monuments.

    Minister of Antiquities Mamdouh Eldamaty announced today that the decision was taken according to Article 1 of Egypt’s Antiquities Law No 17/1983, stipulating that any edifice in Egypt with distinguished archaeological or historical value, or decorative or artistic elements, be put on Egypt’s Heritage List as symbol of Egypt’s historic civilisation.

    Eldamaty told Ahram Online that the 30 feddans wide Gianaclis Palace was built within the vineyards on Al-Nubareiya canal in Abou Al-Matamir city in 1948 by Greek businessman Nicola Biyarkos, known in Egypt as Gianaclis. The palace was built in Italian architectural style with six flours and 366 windows: one for each day of the year, including leap years.

    In 1956, after the July 1952 Revolution, Eldamaty said, the palace was put into the possession of the presidency, and late President Gamal Abdul Nasser decided to build an administrative building in the palace garden, along with electricity and water improvements.

    During the tenure of late President Anwar El-Sadat, a military airport was established as well as a number of military settlements.

    Along the span of its history, Gianaclis Palace hosted several leaders and presidents of different countries. It was also the residential home of toppled Sudanese President Gaafar Al-Numeri.

    (english.ahram.org.eg)