Tag: Elgin Marbles

  • Greece offers ancient archaeological wonders in exchange for Elgin Marbles

    Greece offers ancient archaeological wonders in exchange for Elgin Marbles

    Greece has called for the return of the so-called Elgin Marbles from the British Museum as a symbolic act in the fight against anti-democratic forces seeking “the dissolution of Europe”.

    The Athens government, which decided against taking legal action against the UK last year, will instead renew diplomatic efforts with an offer to regularly loan some of the wonders of Ancient Greece to British institutions in exchange.

    While it is unknown what might be offered, Greek museums hold astonishing art works created in antiquity. The arrival of art such as the “golden mask of Agamemnon” or the statue of Zeus/Poseidon could be expected to cause the same kind of interest as the first arrival in the UK of the Terracotta Army from China in the 1980s.

    The Marbles, taken by Lord Elgin more than 200 years ago when Greece was part of the Ottoman Empire, represent about half the sculptures that once adorned the Parthenon temple. It was built in Athens about 2,500 years ago after the world’s first democracy fought off attempts by the Persian Empire to conquer the city. The sculptures are widely recognised as among the finest ever created.

    Lydia Koniordou, the Greek Minister of Culture and Sport, said allowing the restoration of this founding monument of Western values would send a message about Europe’s commitment to democracy – at a time when many believe this is under threat from rising nationalism.

    “The reunification of the Parthenon Marbles will be a symbolic act that will highlight the fight against the forces that undermine the values and foundations of the European case against those seeking the dissolution of Europe,” Ms Koniordou said.

    “The Parthenon monument represents a symbol of Western civilization. It is the emblem of democracy, dialogue and freedom of thought.”

    Greece is carrying out restoration work on the Parthenon and has built a museum specifically designed to display the sculptures, but currently only has slightly less than half of them. Other fragments are held by several museums in Europe. 

    Elgin’s staff removed the sculptures somewhat crudely – for example, the heads of a centaur and a human in a dramatic fight scene are in Athens, while their bodies are in London.

    “We must consider that the Parthenon is a monument that represents our democratic Europe so it is vital that this monument be returned to its former glory.”

    In a statement, IARPS said the Greek government had “resolved to renew and intensify its efforts for the return of the Parthenon Sculptures”.

    “The centrepiece of Greece’s renewed push for the return of the sculptures will be a proposal – made in a true spirit of compromise – to offer recurring, long-term loans of rare archaeological treasures from Greek museums in exchange for the return of the Parthenon Sculptures from the British Museum,” IARPS said.

    “Greece and its supporters will not rest until all the known surviving sculptural elements from the Parthenon are reunited in the Acropolis Museum in full view of the monument which they once adorned.”

    The European Union and other international creditors have demanded policies of austerity in exchange for keeping the economy afloat with huge loans. At the same time, Greece has been struggling to cope with the influx of refugees fleeing the brutal civil war in Syria.

    While nationalism has been rising across Europe, the violent, neofascist Golden Dawn party is now Greece’s third largest party with support from about 10 per cent of voters.

    In January, one of Golden Dawn’s leaders told The Independent that Donald Trump’s election had “given us a new wind of support”.

    “It’s validating and reinforcing our nationalistic and patriotic policies – policies that we have been advocating for years,” Elias Panagiotaros said.

    “We should follow Trump’s beat. We shouldn’t leave Greece like an open field for migrants to come and go as they want. We should reclaim our country and our interests and put them first, just like Trump.”

    Andrew George, chairman of the British Association for the Reunification of the Parthenon Sculptures, said returning the sculptures to Athens would help the UK’s reputation in Europe following the Brexit referendum vote.

    “Britain has nothing to lose and so much to gain from engaging with the Greek Government in this way,” he said.

    “A gracious act by the British would lift our reputation at the very moment our otherwise threadbare negotiating position with the EU appears so grubby and self-seeking.

    “Such a high level and deeply symbolic gesture of this kind would also help counteract the tide of growing right-wing intolerance that is taking hold across Europe.

    “Britain has nothing to lose but a deeply damaged reputation – having clung on for over 200 years to such important artefacts which were stolen from the Greeks when they could do nothing to stop it – and has much to gain at the very time Britain’s reputation needs enhancing amongst those countries it wants to do a deal with.”

    And the offer of ancient treasures from Greece “would more than compensate for the apparent loss” of the Marbles, he said.

    The British Government has routinely dismissed calls for the return of the sculptures to Greece.

    A spokesman for the Department of Culture, Media and Sport said: “The Parthenon sculptures were acquired legally in accordance with the law of the time. They are the responsibility of the trustees of the British Museum who are legally responsible for their care.”

    (www.independent.co.uk)

  • First-ever legal bid for return of Elgin Marbles to Greece thrown out by European Court of Human Rights

    First-ever legal bid for return of Elgin Marbles to Greece thrown out by European Court of Human Rights

    Μάρμαρα ΠαρθενώναThe first-ever legal bid to force the UK to return the Elgin Marbles to Greece has been thrown out by the European Court of Human Rights.

    The court ruled that because the alleged theft of the sculptures from the 2,500-year-old Parthenon temple took place more than 150 years before the UK signed up to the human rights convention, it did not have the power to consider the lawsuit.

    Campaigners for the return of the sculptures pointed out that the court had not made a ruling on the “merits of the case”.

    The marbles were taken from the temple by the Earl of Elgin in the 1800s and he then sold them to the British Government in 1816 after running into financial difficulties.

    At the time, Greece was occupied by the Ottoman Empire. Lord Elgin obtained a “firman”, a legal document, that apparently allowed him to take some stones but some believe it did not entitle him to cut sculptures from the building.

    The marbles are regarded as some of the finest sculptures ever created and the Parthenon, built by the democratic Athenians after victory over the Persian Empire, is arguably the most important monument in Europe.

    The Greek Government was given extensive legal advice from lawyers Amal Clooney and Geoffrey Robertson, but appears to have decided against taking Britain to court.

    Instead, the case against the UK was brought by the Athenians’ Association, a cultural group, after the British Government refused an offer last year by Unesco to mediate between Greece and Britain.

    The British Government and the British Museum, where about half the surviving Parthenon sculptures are on display, insist the Earl of Elgin acquired them legally.

    In its ruling, which was sent to the Athenian Association last month, the European court said: “The Court notes that the marbles were removed from Greece in the early 19th century. 

    “In order to bring the matter within the temporal jurisdiction of the Court, the applicant has sought to rely on the refusal of the United Kingdom to enter into mediation with Greece concerning the return of the marbles and the continuing refusal to return the marbles. 

    “However, it is clear from the nature of the applicant’s complaints that its underlying grievance is the allegedly unlawful removal of the marbles from Greece. The removal having occurred some 150 years before the Convention was drafted and ratified by the respondent state, the applicant’s complaints would appear to be inadmissible.”

    The judges also said the Athenians’ Association did not have “any right … to have the marbles returned to Greece”.

    The Athenians’ Association’s legal representative, Vassilis Sotiropoulos, said the case was a “first step”.

    He claimed the judgement could actually help the Greek Government take legal action in the future.

    “Globally, this first statement of the European Court, historically the first court judgement, on the subject of the Parthenon Marbles highlights the points that Greece should focus on with particular attention in her recourse against the United Kingdom,” Mr Sotiropoulos said.

    “This decision leaves open the possibility of a recourse submitted by Greece being proclaimed admissible, thus also indirectly offering precious expertise on how to handle the case henceforth.”

    Andrew George, of the British Association for the Reunification of the Parthenon Sculptures, said the ruling did not affect the arguments in favour of sending the sculptures back.

    “We’ve learned nothing from this. There’s been no test of the merits of the case, just that this is not the arena to resolve the justice or otherwise of the case,” he said.

    “The UK Parliament effectively state-sanctioned the improper acquisition of the sculptures exactly 200 years ago this year. 

    “But this doesn’t make it a cause of pride for the British, nor does it make the act nor their continued retention either ethical or just.”

    On 10 July, a cross-party group of MPs launched a Bill to return the sculptures to Athens, where the Acropolis Museum was built specifically to house them within sight of the Parthenon.

    The British Museum argues that it “tells the story of cultural achievement throughout the world, from the dawn of human history over two million years ago until the present day”.

    “The Parthenon Sculptures are a vital element in this interconnected world collection. They are a part of the world’s shared heritage and transcend political boundaries,” it says.

    “The Acropolis Museum allows the Parthenon sculptures that are in Athens (approximately half of what survive from antiquity) to be appreciated against the backdrop of ancient Greek and Athenian history. The Parthenon sculptures in London are an important representation of ancient Athenian civilisation in the context of world history.”

    (www.independent.co.uk)