Tag: Cultural Heritage

  • UNESCO Adds Greek ‘Momoeria’ Custom to Cultural Heritage List

    UNESCO Adds Greek ‘Momoeria’ Custom to Cultural Heritage List

    ΠολιτισμόςEvery year from December 25 to January 5 the village streets of Kozani, Greece light up with more than just christmas lights – they come alive with the ancient customs of the Momoeria -actors, musicians and dancers filling the village streets and visiting people’s homes in celebration of the new year.

    Recently UNESCO has announced that is has inscribed the ancient custom of the Momoeria on its Representative List of the Intangible Cultural Heritage of Humanity, making sure that this beautiful cultural tradition will be preserved for future generations to come.

    What is the Momoeria?

    The dancers in the group are made up of 30 male performers and they represent the priests of Momos, or the god of laughter and satire, as well as representing commanders of Alexander the Great, dressed to the finest detail in traditional shoes, pleated skirts and helmets.

    The actors surround the traveling group of dancers while acting out well-known satirical plays while the musicians play along in the background.

    The practice of Momoeria is to bless the village for the upcoming new year with prosperity, healthy offspring and a good harvest.

    Something notable about this accomplishment of landing on the Representative List of the Intangible Cultural Heritage of Humanity is that this is the fourth Greek tradition to be branded a sacred cultural heritage. Previously additions on the list include the Mediterranean Diet, the traditional harvesting and produce of mastic on the island of Chios and the marble expertise of Tinos island.

    (greece.greekreporter.com)

  • Pakistan unearths the city defeated by Alexander the Great

    Pakistan unearths the city defeated by Alexander the Great

    ΑρχαιολογίαPakistan has unearthed the city defeated by Alexander the Great.

    The ruins that Italian archaeologists have unearthed in modern-day Barikot, in Pakistan’s Swat Valley, once belonged to Bazira, the city conquered by Alexander the Great.

    In short, Italian archaeologists working in the Italian-Pakistani excavations in the Swat valley did not go on vacation this summer.

    Bazira is mentioned in classical sources as having been put under siege and conquered by the Macedonians led by Alexander the Great towards the end of the 4th Century BC. Up to now there had been no trace of this ancient city. Archaeologists had dated the city at the Indo-Greek period of King Menander, the Greek King of Buddhist faith who ruled almost two centuries after Alexander and whose coins were found in the excavation site.

    The Italian Archaeological Mission (renamed ISMEO), founded by Giuseppe Tucci in the Swat District in 1955, has been excavating in Barikot since 1984. Since 2011 the excavations at Barikot, the ancient Bazira (12 hectares including the acropolis) have concentrated on approximately one hectare in the south-western quadrant of the city.

    During the last few weeks, an analysis of the materials conducted with the help of the CIRCE team headed by Prof Filippo Terrasi (Napoli2 University, Department of Mathematics and Physics) revealed that the pre Indo-Greek city levels can be dated with absolute certainty at the middle of the 3rd Century BC, one century prior to the city walls, which means in the middle of the Mauryan period. And that’s not all: the protohistoric village unveiled by the trench foundations outside the city walls dates back to 1100-1000 BC.

    “Today it is clear that the Indo-Greeks fortified a city that already existed and that, in order to build the city walls, they destroyed most of the stratigraphy and exposed extremely ancient structures through extended and deep terracing work. We used to think that the city lays on nothing more than a late protohistoric settlement. Today we know that it was already a city and that the ruins at the foot of the walls are 800 years older than we had originally thought,” said the Mission Director, Luca M. Olivieri. This means that the city reveals an amazing sequence of occupation.

    (www.pakistantoday.com.pk)

  • 4,200-Year-Old Egyptian Temple Discovered to Have Remarkably Well Preserved Artwork

    4,200-Year-Old Egyptian Temple Discovered to Have Remarkably Well Preserved Artwork

    ΑρχαιολογίαScattered throughout modern Egypt are many ancient temples which are famous for their splendor and historical significance. The perfect example of one of these breathtaking displays of luxury is the Temple of Hathor. Built around 2250 BC, the artwork that runs throughout the building is remarkably well kept, despite being thousands and thousands of years old. As the main temple within the significant Dendera Temple complex, it is known for being one of the best-preserved sites in all of Egypt.

    Facing the Nile, the sanctuary layout is classical Egyptian, containing stunning examples of Ptolemaic Egyptian artwork including depictions of Cleopatra and her son, fathered by Julius Caesar. The temple itself was built to worship the Ancient Egyptian goddess Hathor, who personified feminine love, healing, and motherhood. Imposing columns have been carved to bear the face of the goddess, complete with the cow horns she is typically shown to bear.

    Though the entire temple is magnificent, it is the ceiling that remains the true masterpiece. Recently, workers carefully removed hundreds of years of black soot which accumulated as a centuries-old Arab village established camp within the temple. Through the restoration, a spectacular and vibrant painting overhead was slowly revealed. Decorated with a complex astrological chart of the heavens and zodiac signs, the ancient temple ceiling now offers a highly detailed setting to study or just a lovely scene to visit and be swept away by the antiquated opulence.

    (www.mymodernmet.com)

  • The world’s oldest computer is still revealing its secrets

    The world’s oldest computer is still revealing its secrets

    ΠολιτισμόςItem 15087 wasn’t much to look at, particularly compared to other wonders uncovered from the shipwreck at Antikythera, Greece, in 1901. The underwater excavation revealed gorgeous bronze sculptures, ropes of decadent jewelry and a treasure trove of antique coins.

    Amid all that splendor, who could have guessed that a shoebox-size mangled bronze machine, its inscriptions barely legible, its gears calcified and corroded, would be the discovery that could captivate scientists for more than a century?

    “In this very small volume of messed-up corroded metal you have packed in there enough knowledge to fill several books telling us about ancient technology, ancient science and the way these interacted with the broader culture of the time,” said Alexander Jones, a historian of ancient science at New York University’s Institute for the Study of the Ancient World. “It would be hard to dispute that this is the single most information-rich object that has been uncovered by archaeologists from ancient times.”

    Jones is part of an international team of archaeologists, astronomers and historians who have labored for the past 10 years to decipher the mechanism’s many mysteries. The results of their research, including the text of a long explanatory “label” revealed through X-ray analysis, were just published in a special issue of the journal Almagest, which examines the history and philosophy of science.

    The findings substantially improve our understanding of the instrument’s origins and purpose, Jones said, offering hints at where and by whom the mechanism was made, and how it might have been used. It looks increasingly like a “philosopher’s guide to the galaxy,” as the Associated Press put it — functioning as a teaching tool, a status symbol and an elaborate celebration of the wonders of ancient science and technology.

    In its prime, about 2,100 years ago, the Antikythera (an-ti-KEE-thur-a) Mechanism was a complex, whirling, clockwork instrument comprising at least 30 bronze gears bearing thousands of interlocking tiny teeth. Powered by a single hand crank, the machine modeled the passage of time and the movements of celestial bodies with astonishing precision. It had dials that counted the days according to at least three different calendars, and another that could be used to calculate the timing of the Olympics. Pointers representing the stars and planets revolved around its front face, indicating their position in relation to Earth. A tiny, painted model of the moon rotated on a spindly axis, flashing black and white to mimic the real moon’s waxing and waning.

    The sum of all these moving parts was far and away the most sophisticated piece of machinery found from ancient Greece. Nothing like it would appear again until the 14th century, when the earliest geared clocks began to be built in Europe. For the first half century after its discovery, researchers believed that the Antikythera Mechanism had to be something simpler than it seemed, like an astrolabe. How could the Greeks have developed the technology needed to create something so precise, so perfect — only to have it vanish for 1,400 years?

    But then Derek de Solla Price, a polymath physicist and science historian at Yale University, traveled to the National Archaeological Museum in Athens to take a look at the enigmatic piece of machinery. In a 1959 paper in Scientific American, he posited that the Antikythera Mechanism was actually the world’s first known “computer,” capable of calculating astronomical events and illustrating the workings of the universe. Over the next two and a half decades, he described in meticulous detail how the mechanism’s diverse functions could be elucidated from the relationships among its intricately interlocked gears.

    “Nothing like this instrument is preserved elsewhere. Nothing comparable to it is known from any ancient scientific text or literary allusion,” he wrote.

    That wasn’t completely accurate — Cicero wrote of a instrument made by the first century BCE scholar Posidonius of Rhodes that “at each revolution reproduces the same motions of the Sun, the Moon and the five planets that take place in the heavens every day and night.” But it was true that the existence of the Antikythera Mechanism challenged all of scientists’ assumptions about what the ancient Greeks were capable of.

    “It is a bit frightening to know that just before the fall of their great civilization the ancient Greeks had come so close to our age, not only in their thought, but also in their scientific technology,” Price said.

    Still, the degree of damage to the ancient plates and gears meant that many key questions about the the instrument couldn’t be answered with the technology of Price’s day. Many of the internal workings were clogged or corroded, and the inscriptions were faded or covered up by plates that had been crushed together.

    Enter X-ray scanning and imaging technology, which have finally become powerful enough to allow researchers to peer beneath the machine’s calcified surfaces. A decade ago, a diverse group of scientists teamed up to form the Antikythera Mechanism Research Project (AMRP), which would take advantage of that new capability. Their initial results, which illuminated some of the complex inner workings of the machine, were exciting enough to persuade Jones to jump on board.

    Fluent in Ancient Greek, he was able to translate the hundreds of new characters revealed in the advanced imaging process.

    “Before, we had scraps of the text that was hiding inside these fragments, but there was still a lot of noise,” he said. By combining X-ray images with the impressions left on material that had stuck to the original bronze, “it was like a double jigsaw puzzle that we were able to use for a much clearer reading.”

    The main discovery was a more than 3,500-word explanatory text on the main plate of the instrument. It’s not quite an instruction manual — speaking to reporters, Jones’s colleague Mike Edmunds compared it to the long label beside an item in a museum display, according to the AP.

    “It’s not telling you how to use it. It says, ‘What you see is such and such,’ rather than, ‘Turn this knob and it shows you something,’ ” he explained.

    Other newly translated excerpts included descriptions of a calendar unique to the northern Greek city of Corinth and tiny orbs — now believed lost to the sandy sea bottom — that once moved across the instrument’s face in perfect simulation of the true motion of the five known planets, as well as a mark on the dial that gave the dates of various athletic events, including a relatively minor competition that was held in the city of Rhodes.

    That indicates that the mechanism may have been built in Rhodes — a theory boosted by the fact that much of the pottery uncovered by the shipwreck was characteristic of that city. The craftsmanship of the instrument, and the two distinct sets of handwriting evident in the inscriptions, makes Jones believe that it was a team effort from a small workshop that may have produced similar items. True, no other Antikythera Mechanisms have been found, but that doesn’t mean they never existed. Plenty of ancient bronze artifacts were melted down for scrap (indeed, the mechanism itself may have included material from other objects).

    It’s likely that this particular mechanism and the associated Antikythera treasures were en route to a Roman port, where they’d be sold to wealthy nobles who collected rare antiques and intellectual curiosities to adorn their homes.

    The elegant complexity of the mechanism – and the use its makers designed it for – are emblematic of the values of the ancient world: For example, a dial that predicts the occurrence of eclipses to the precision of a day also purports to forecast what the color of the moon and weather in the region will be that day. To modern scientists, the three phenomena are entirely distinct from one another — eclipses depend on the predictable movements of the sun, moon and planets, the color of the moon on the scattering of light in Earth’s atmosphere, and the weather on difficult-to-track local conditions. Astronomers may be able to forecast an eclipse years in advance, but there’s no scientific way to know the weather that far out (just ask our friends at the Capital Weather Gang).

    But to an ancient Greek, the three concerns were inextricably linked. It was believed that an eclipse could portend a famine, an uprising, a nation’s fate in war.

    “Things like eclipses were regarded as having ominous significance,” Jones said. It would have made perfect sense to tie together “these things that are purely astronomical with things that are more cultural, like the Olympic games, and calendars, which is astronomy in service of religion and society, with astrology, which is pure religion.”

    That may go some way toward explaining the strange realization Price made more than 50 years ago: The ancient Greeks came dazzlingly close to inventing clockwork centuries sooner than really happened. That they chose to utilize the technology not to mark the minutes, but to plot out their place in the universe, shows just how deeply they regarded the significance of celestial events in their lives.

    In a single instrument, Jones said, “they were trying to gather a whole range of things that were part of the Greek experience of the cosmos.”

    (www.washingtonpost.com)