Category: CULTURE

News about culture and cultural heritage

  • UCLA Library to offer digital images of rare ancient manuscripts in Egypt

    UCLA Library to offer digital images of rare ancient manuscripts in Egypt

    ΠολιτισμόςSt. Catherine’s Monastery, a UNESCO World Heritage site that’s located on rugged terrain at the foot of Mount Sinai in Egypt, houses the oldest continually operating library in the world, containing ancient and medieval manuscripts second only to those held by the Vatican Library.

    These remarkable manuscripts, which delve into subjects ranging from history and philosophy to medicine and spirituality, were never easily accessed by scholars and students, who had to travel to this desert region, considered sacred to three world religions — Christianity, Islam and Judaism. Today, access is even more problematic given security concerns in the Middle East.

    That will all be changing, thanks to a major grant from The Ahmanson Foundation to the UCLA Library. The grant will fund key aspects of the Sinai Library Digitization Project to create digital copies of some 1,100 rare and unique Syriac and Arabic manuscripts dating from the fourth to the 17th centuries. The three-year project is being initiated by the fathers of St. Catherine’s Monastery.

    It’s being made possible through the participation of the UCLA Library and the Early Manuscripts Electronic Library (EMEL), a nonprofit research and service organization based in Southern California that uses digital technologies to make manuscripts and other historical source materials accessible to scholars and the public. It specializes in the design of systems to support fragile manuscripts during digitization and in the recovery of text from damaged, deteriorated or erased manuscripts.

    “The manuscripts at St. Catherine’s are critical to our understanding of the history of the Middle East, and every effort must be made to digitally preserve them in this time of volatility,” said UCLA University Librarian Ginny Steel. “The Ahmanson Foundation’s visionary support honors the careful stewardship of St. Catherine’s Monastery over the centuries and ensures that these invaluable documents are not only accessible, but preserved in digital copies.”

    “St. Catherine’s Monastery proposed a program to digitize its unparalleled manuscript collection, and an international team was assembled to help digitally preserve the ancient pages,” said Michael Phelps, EMEL director. “EMEL is collaborating with the monastery to install world-class digitization systems, and the UCLA Library will host the images online on behalf of the monastery.”

    Among the monastery’s most important Syriac and Arabic manuscripts are a fifth century copy of the Gospels in Syriac, a literary language based on an eastern Aramaic dialect; a Syriac copy of the “Lives of Women Saints,” dated 779 A.D.; the Syriac version of the “Apology of Aristides,” of which the Greek original has been lost; and numerous Arabic manuscripts from the ninth and 10th centuries, when Middle Eastern Christians first began to use Arabic as a literary language.

    Just as the 19th-century discovery at St. Catherine’s of the Codex Sinaiticus — the oldest complete Bible (345 A.D.) — spurred new theological scholarship, this project will enable scholars to gain new insights and pose new lines of inquiry, project leaders said.

    “We are deeply grateful to The Ahmanson Foundation for its generous investment in this important project, and for its longstanding partnership with the UCLA Library,” Steel concluded.

    As one of the world’s leading research libraries, the UCLA Library maintains a research collection of record, making its materials accessible to a broad audience of students, scholars, researchers, and the public. Last year, more than 20 million people accessed UCLA Library’s digital and online resources. By preserving global cultural heritage, the UCLA Library fuels the transfer of knowledge across generations and across the world.

    (newsroom.ucla.edu)

  • 14th Bibliotheca Alexandrina Int’l Summer Festival

    14th Bibliotheca Alexandrina Int’l Summer Festival

    ΠολιτισμόςThe Bibliotheca Alexandrina’s 14th annual International Summer Festival will take place between 29 July and 8 September, offering a rich programme for all musical tastes alongside film screenings, plays and theatre.

    Organised by the Bibliotheca Alexandrina Arts Centre, this year’s edition will bring over 40 cultural events, ranging from music and theatre to film and traditional dance, to the Mediterranean city.

    The music programme promises a vibrant line-up with concerts by an array of established singers and musicians from Egypt and the region, from opening act Marcel Khalife to Soad Massi closing the festival, from independent rock and fusion bands to jazz, folklore and orchestral music.

    The festival will be topped with several film screenings and plays

    Events take place across a variety of venues at the Bibliotheca Alexandrina in Alexandria. Events start at 8:30pm unless otherwise noted.

    Friday 29 July
    Marcel Khalife (Lebanon)
    Great Hall

    Saturday 30 July
    Basata band (Egypt)
    Open Air Theatre

    Sunday 31 July
    El Nafeekha band (Egypt)
    Open Air Theatre

    Monday 1 August
    Kathakali dance (India)
    Open Air Theatre

    Tuesday 2 August
    Samaei band (Egypt)
    Open Air Theatre

    Wednesday 3 August
    Eftekasat band (Egypt)
    Open Air Theatre

    Thursday 4 August
    Faia Younan (Syria)
    Open Air Theatre

    Friday 5 August
    Hani Shaker (Egypt)
    Open Air Theatre

    Saturday 6 August
    Concert conducted by Selim Sahab (Egypt)
    Open Air Theatre

    Aqsa Alwasat band (Egypt)
    Small Theatre

    Sunday 7 August
    ‘Music from here’ concert with bands Soot Fel Zahma and Wasla (Egypt)
    concert in cooperation with Goethe Institute in Alexandria
    Open Air Theatre

    Monday 8 August
    Music concert
    Open Air Theatre

    Tuesday 9 August
    Folkloric bands from Nubia and Sudan
    Open Air Theatre

    Wednesday 10 August
    Boghdadi band performs jazz music (Egypt)
    Open Air Theatre

    Thursday 11 August
    Fouad and Mounib (Egypt)
    Open Air Theatre

    Friday 12 August
    Black Theama band (Egypt)
    Open Air Theatre, 9pm

    Saturday 13 August
    Ali El Haggar (Egypt)
    Open Air Theatre

    Birthday of a Marionette: Theatre dance (Egypt)
    Director and choreographer: Mohamed Abdel Sabour
    Small Theatre, 8pm

    Sunday 14 August
    Massar Egbari band (Egypt)
    Open Air Theatre

    Jazz music (Slovenia)
    Small Theatre, 8pm

    Monday 15 August
    Ali El-Helbawy (Egypt)
    Open Air Theatre

    Tuesday 16 August
    Omar Khairat accompanied by the Bibliotheca Alexandrina Orchestra (Egypt)
    Great Hall

    Wednesday 17 August
    Omar Khairat accompanied by the Bibiotheca Alexandrina Orchestra (Egypt)
    Great Hall

    Thursday 18 August
    The Jets Band (Egypt)
    Open Air Theatre

    Friday 19 August
    Qarar Ezala band (Egypt)
    Open Air Theatre

    A play for children (Egypt)
    Small Theatre, 7:30pm

    Saturday 20 August
    Bibliotheca Alexandrina Orchestra conducted by Khaled El-Showeikh (Egypt)
    Open Air Theatre

    A play for children (Egypt)
    Small Theatre, 7:30pm

    Sunday 21 August
    The Wave Jazz band (Egypt)
    Open Air Theatre

    Monday 22 August
    Sheikh Alzain (Egypt)
    Open Air Theatre

    Tuesday 23 August
    Karakeeb band (Egypt)
    Open Air Theatre

    Wednesday 24 August
    Ahmed Al Haggar (Egypt)
    Open Air Theatre

    Thursday 25 August
    Two bands: Storm and Zajel (Egypt)
    Open Air Theatre

    Friday 26 August
    Rima Khcheich (Lebanon)
    Open Air Theatre

    Star of Orient: a theatre play for children (Sweden)
    Small theatre, 7:30pm

    Saturday 27 August
    Sound of Egypt orchestra conducted by Ahmed Atef (Egypt)
    Open Air Theatre

    Star of Orient: a theatre play for children (Sweden)
    Small theatre, 7:30pm

    Sunday 28 August
    Music from Here concert with bands Telepoetic and Disorder (Egypt) in cooperation with Goethe Institute in Alexandria
    Open Air Theatre

    “Five short films in four days” – screening series of films by Egyptian filmmakers
    Day 1: Screening of Aida by Maysoun El-Masry
    Film duration: 20 mins
    Screening will be followed by discussion with the director
    Auditorium hall, 8pm

    Monday 29 August
    Andromida band (Egypt)
    Open Air Theatre

    “Five short films in four days” – screening series of films by Egyptian filmmakers
    Day 2: Screening of Sunflower Lane by Mayye Zayed
    Film duration: 14 mins
    Screening will be followed by discussion with the director
    Auditorium hall, 8pm

    Tuesday 30 August
    Hanan Madi performs with the Sound of Egypt orchestra conducted by Ahmed Atef (Egypt)
    Open Air Theatre

    “Five short films in four days” – screening series of films by Egyptian filmmakers
    Day 3: Screening of Tree (10 mins) and ‘Tashkeel’ (12 mins) by Mohamed Mostafa
    Screenings will be followed by discussion with the director
    Auditorium hall, 8pm

    Wednesday 31 August
    Bands High Dam and Mina
    Open Air Theatre

    “Five short films in four days” – screening series of films by Egyptian filmmakers
    Day 4: Screening of Har Gaf Sayfan by Sherif El Bendary
    Film duration: 30 mins
    Screening will be followed by discussion with the director
    Auditorium hall, 8pm

    Thursday 1 September
    Cairo Celebration Choir conducted by Nayer Nagui (Egypt)
    Open Air Theatre, 9pm

    Friday 2 September
    Family day across many spaces of the Bibliotheca Alexandrina with activities targeting the youngest audience members and whole families

    Saturday 3 September
    Tania Saleh (Lebanon)
    Open Air Theatre

    Sunday 4 September
    Palestinian folklore band
    Open Air Theatre

    Until Proven the Opposite: A play (Egypt)
    directed by Mohamed Osama Ata
    Small Theatre, 8pm

    Monday 5 September
    Traditional music from India
    Open Air Theatre

    Until proven the opposite: A play (Egypt)
    directed by Mohamed Osama Ata
    Small Theatre, 8pm

    Tuesday 6 September
    Shawarena band (Egypt)
    Open Air Theatre

    Crazy Accident: A play (Egypt)
    written by Lenin El-Ramli and directed by Yasmine Saeed
    Small Theatre, 8pm

    Wednesday 7 September
    Mohamed Mohsen (Egypt)
    Open Air Theatre

    Thursday 8 September
    Soad Massi (Algeria)
    Open Air Theatre

    (english.ahram.org.eg)

  • The Decimation of Alexandria’s Architectural Heritage

    The Decimation of Alexandria’s Architectural Heritage

    ΑλεξάνδρειαIn 2012, the civil group Save Alex took a stand in the streets of Alexandria, calling to save the Cicurel Villa in the ancient city’s Rushdy district. The group’s work resulted in a law that should have protected the building. But last week, the villa built by a Jewish-Turkish merchant in the 1930s was knocked down anyway.

    Since its foundation in 331 BC, each era has left its beautiful print on Alexandria’s architecture. The city’s streets are lined with Greek, Roman, English and Italian works of art. But these villas and palaces are now being demolished, taking away from Alexandria’s history, one after the other.

    The 1920s Modernist Agion Villa used to draw French, Italian and other foreign tourists to marvel at and study it. Brought down three months ago, the villa is to be replaced by a touristic residential tower. A few days after the Cicurel Villa incident, the much-loved Al-Salam Theatre, was also bulldozed for a TOLIP franchise hotel.

    “One of the most bizarre self-defeating trends in Alexandria is the idea that you can destroy historical buildings so you can build … hotels in their place. If this logic is followed through, where do tourists and visitors who stay in these hotels end up going for sightseeing? To go look at other hotels?,” said Amro Ali, a PhD scholar writing about Alexandria’s urban politics.

    Surrounded by trash and left to rot, it is feared many other sites face demise.

    “Owners care about the properties’ monetary value rather than their touristic or cultural value to Alexandria,” said Mohamed Mehaina, deputy director of AlexMed and member of the Heritage Preservation Committee at the Biblioteca Alexandrina.

    Under law 144 of the year 2006, “It is prohibited to demolish or add to any building of significant architectural style related to national history or a historical figure, a building that represents a historical era, or a building that is considered a touristic attraction.”

    To define this, AlexMed compiled a legal Heritage Preservation List in 2007. But owners seek to remove their properties from the list, either to dodge restrictions over them, or to sell or demolish the property, usually through filing a lawsuit. Forty-seven pieces of property have been dropped from the list through adjudications, and since 2009, 14 were knocked down, according to Mehaina.

    On the Alexandria corniche lies the locked up and neglected Sabahi Palace. With the area of 3000 meters squared, the site is worth EGP 300 million. Also on the heritage list is Princess Aziza Fahmy’s 15,000 meter property, valued at EGP 435 million. Despite their ‘protected’ status, these buildings are also under threat.

    The owners of Villa Ambron, the former home of British author Lawrence Durrell where he wrote the Alexandria Quartet, want to knock it down. The owner of Roman neo-classic Qerdahi Palace asked to be excluded from the heritage list.

    “The problem is that the state does not provide compensation,” Mehaina believes. In other countries, businesses receive a tax relief on buying historical property as compensation for saving heritage, which is why investors run to put money in such properties, the architect said.

    Alexandria’s oldest street, Fouad, said to be the first planned street in history, is under threat. Crowned by Muhammed Ali’s opera house on one side, and his cultural palace on the other, all the buildings’ details are very rare, said Hassan.

    “There is a harmony between the buildings, even if not built with the same elements and techniques,” stated Ahmed Hassan, founder of Save Alex. Each time a historical building is brought down, Fouad’s skyline is damaged further. New buildings ruined the visual perspective, whether because of height or architecture style, explained Mehaina.

    Blacklisted in the hearts of those who care about Alexandria’s heritage, one company, Stanly, buys buildings and demolishes them, among which was the famous Rialto Cinema.

    Meanwhile, another company called Sigma buys such historical landmarks to preserve, develop and reutilize them. While a branch of Roastery restaurant was set up in Fouad with not attention to harmony with heritage, Sigma redeveloped L Passagefood hall with more consideration.

    “[Sigma] is somehow treating the buildings more sensitively,” Hassan said.

    Speaking of the role of civil activity, Mehaina said that “… we are struggling [against the demolition of heritage], but we are not executives,” adding that heritage committees, NGOs, and demonstrations are held to fight for the cause, as well as awareness campaigns and documentation.

    Legislation, strict application of law and a heightened sense of awareness need to come together to salvage the remaining sites that have witnessed how Alexandria came to be.

    (egyptianstreets.com)

  • First-ever legal bid for return of Elgin Marbles to Greece thrown out by European Court of Human Rights

    First-ever legal bid for return of Elgin Marbles to Greece thrown out by European Court of Human Rights

    Μάρμαρα ΠαρθενώναThe first-ever legal bid to force the UK to return the Elgin Marbles to Greece has been thrown out by the European Court of Human Rights.

    The court ruled that because the alleged theft of the sculptures from the 2,500-year-old Parthenon temple took place more than 150 years before the UK signed up to the human rights convention, it did not have the power to consider the lawsuit.

    Campaigners for the return of the sculptures pointed out that the court had not made a ruling on the “merits of the case”.

    The marbles were taken from the temple by the Earl of Elgin in the 1800s and he then sold them to the British Government in 1816 after running into financial difficulties.

    At the time, Greece was occupied by the Ottoman Empire. Lord Elgin obtained a “firman”, a legal document, that apparently allowed him to take some stones but some believe it did not entitle him to cut sculptures from the building.

    The marbles are regarded as some of the finest sculptures ever created and the Parthenon, built by the democratic Athenians after victory over the Persian Empire, is arguably the most important monument in Europe.

    The Greek Government was given extensive legal advice from lawyers Amal Clooney and Geoffrey Robertson, but appears to have decided against taking Britain to court.

    Instead, the case against the UK was brought by the Athenians’ Association, a cultural group, after the British Government refused an offer last year by Unesco to mediate between Greece and Britain.

    The British Government and the British Museum, where about half the surviving Parthenon sculptures are on display, insist the Earl of Elgin acquired them legally.

    In its ruling, which was sent to the Athenian Association last month, the European court said: “The Court notes that the marbles were removed from Greece in the early 19th century. 

    “In order to bring the matter within the temporal jurisdiction of the Court, the applicant has sought to rely on the refusal of the United Kingdom to enter into mediation with Greece concerning the return of the marbles and the continuing refusal to return the marbles. 

    “However, it is clear from the nature of the applicant’s complaints that its underlying grievance is the allegedly unlawful removal of the marbles from Greece. The removal having occurred some 150 years before the Convention was drafted and ratified by the respondent state, the applicant’s complaints would appear to be inadmissible.”

    The judges also said the Athenians’ Association did not have “any right … to have the marbles returned to Greece”.

    The Athenians’ Association’s legal representative, Vassilis Sotiropoulos, said the case was a “first step”.

    He claimed the judgement could actually help the Greek Government take legal action in the future.

    “Globally, this first statement of the European Court, historically the first court judgement, on the subject of the Parthenon Marbles highlights the points that Greece should focus on with particular attention in her recourse against the United Kingdom,” Mr Sotiropoulos said.

    “This decision leaves open the possibility of a recourse submitted by Greece being proclaimed admissible, thus also indirectly offering precious expertise on how to handle the case henceforth.”

    Andrew George, of the British Association for the Reunification of the Parthenon Sculptures, said the ruling did not affect the arguments in favour of sending the sculptures back.

    “We’ve learned nothing from this. There’s been no test of the merits of the case, just that this is not the arena to resolve the justice or otherwise of the case,” he said.

    “The UK Parliament effectively state-sanctioned the improper acquisition of the sculptures exactly 200 years ago this year. 

    “But this doesn’t make it a cause of pride for the British, nor does it make the act nor their continued retention either ethical or just.”

    On 10 July, a cross-party group of MPs launched a Bill to return the sculptures to Athens, where the Acropolis Museum was built specifically to house them within sight of the Parthenon.

    The British Museum argues that it “tells the story of cultural achievement throughout the world, from the dawn of human history over two million years ago until the present day”.

    “The Parthenon Sculptures are a vital element in this interconnected world collection. They are a part of the world’s shared heritage and transcend political boundaries,” it says.

    “The Acropolis Museum allows the Parthenon sculptures that are in Athens (approximately half of what survive from antiquity) to be appreciated against the backdrop of ancient Greek and Athenian history. The Parthenon sculptures in London are an important representation of ancient Athenian civilisation in the context of world history.”

    (www.independent.co.uk)